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Changes In The Music Industry
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Changes In The Music Industry
For musicians, it's the best of times and it's the worst of times. Streaming services like Apple Music and Spotify are booming, helping the long-suffering music industry grow for the first time in decades. But these new services make very little money for artists, with ephemeral streams paying out only a fraction of the revenue...Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
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-Zellaton Plural Evo speakers
-Goldmund Telos 300 stereo amp
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Transparent XL Gen. 6, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.1+ platforms.Tags: None
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nowadays try and find a cheap seat to any concert, I don't know how the kid in HS/college can swing it. back in the day, record labels would send their artist out on tour to support the record and concert revenue was only gravy, record sales are what that bought in the big bux. I've got a box full of old ticket stubs from shows i attended from the late 70s through the 80s. most are stamped between $20 and $50, without exception all were loge or floor seats and many were in the first 20 rows - these were for top rock acts of the day.
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Originally posted by Rob View PostTry and find a cheap seat to any concert nowadays, I don't know how the kid in college can swing it. back in the day, record labels would send their artist out on tour to support the record and concert revenue was just gravy, it was the records sales that bought in the cash. I've got a box full of old ticket stubs from shows i attended from the late 70s through the 80s. most are stamped between $20 and $50, they're were all loge of floor seats and many were in the first 20 rows - these were top rock acts of the day.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 300 stereo amp
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Transparent XL Gen. 6, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.1+ platforms.
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Reminds of that scene in La La Land - have to go on tour to support the record.... then go on tour again for the record... it's a vicious cycle for today's musicians, and for that matter, yesteryear's musicians... Unless you're Willie Nelson who lives on tour.
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What has the influence been of Las Vegas and Branson and their semi permanent shows. I know when Circe du Soleil were traveling Big Tops (like their circus namesakes) which would visit for a few days and move on. Now there are a bunch of permanent shows in custom built theaters on the strip casino/hotels.
LarryAnalog- VPIClassic3-3DArm,Lyra Skala+MiyajimaZeroMono, 2xAmpex ATR-102,Otari MX5050B2,Merrill Trident Master Tape Pre,Herron VTPH-2A
Dig Rip-Pyramix,IzotopeRX3Adv,Mykerinos,PacMicroModel2
Dig Play-mchNADAC, LampiHorizon, Roon, HQP, Oppo105
Electronics-Doshi Pre,CJ MET1mchPre, Cary2A3monoamps
Speakers-AvantgardeDuosLR,3SolosC,LR,RR
Other-2x512Engineer/Marutani Symmetrical Power, AudioDiskVinylCleaner,AirTightRecordFlat, Scott Rust Interconnects,
Music-1800R2Rtapes,50TBrips
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For Fagen, I see it as payback or karma for all the years in the 1980s when Steely Dan refused to tour.Thiel 7.2s, Manley NeoClassic 250s, Wadia 850, MIT Oracle V3 speaker cables, MIT MI-350 Oracle interconnects, Black Diamond Racing Shelves and Cones in a dedicated room with ASC Tube Traps, Room Tunes and 3 X 20 amp dedicated circuits.
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Donald and company will be in St Augustine Fl Saturday, August 12, 2017, 7:30 pm, we got our tickets, should be funChris
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Kef 201/2, Pass xa30.5, W4S STP-SE, Manley Chinook, VPI Classic, Dynavector DV20x2L, ExaSound e32, Acoustic Zen cables. (Office): Vincent SP331 Mkll, Quicksilver Pre, Lumin D1, (Ken Lau Signiture Edition PSU), Bryston BCD-1, Vapor Audio Breeze, WooAudio W6se,Questyle Audio CMA800R LCD-3,HD800s, HD600, Mr Speaker Ether C Flow,
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I've see Fagan and Becker in Toronto maybe 2x in the last 4 years here in Toronto. Becker spent a lot of time sitting- he had a hard life. The supporting cast was excellent and the show was certainly enjoyable.Phono: Aesthetix Io Eclipse with 2 Power Supplies and Volume controls
Brinkmann Balance & RonT Tube Power supply with Kuzma 4-point ,FR64S, Brinkmann 12.1 , .Koetsu Jade Platinum,Koetsu Rosewood Signature Platinum, Lyra Atlas Lamda, Lyra Etna SL Goldfinger Statement, KLAUDIO RCM, HRSM3X
Amps: Custom Direct Drive, Wyetech Topaz, Futterman H3 Quad II,Citation II, Marantz 8b, 5 ,2. Bedini 25/25
Pre-Amps:Marantz 7, Marantz Model 1 Consolette Pair
Speakers: Beveridge Model 3 Direct Drive amps, REL S/2 x 2, Quad ESL pair
Otari 5050BXII, DeHavilland 222
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