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Anyone Into Colored LPs?

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  • Anyone Into Colored LPs?

    They're more than just pretty colors. Here, a vinyl expert tells us the fascinating history behind colored vinyl records.
    Myles B. Astor, PhD, Administrator
    Senior Editor, Positive-Feedback.com
    ________________________________________

    -Magico S5 Mk.2 speakers with SPod feet
    -Goldmund Telos 280 stereo amp
    -Goldmund Mimesis 37S Nextgen preamplifier
    -Doshi V3.0 phonostage
    -VPI Vanquish direct-drive turntable
    -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
    -Lyra Atlas SL Lambda, Fuuga, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
    -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
    -Assorted cables including Transparent XL Gen. 5, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
    -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA platforms.

  • #2
    Not for collecting. I think most of the old 78s were made from shellac, not vinyl. There is a beautiful old Columbia "Viva Tonal" "Electrical Process" (i.e. post 1925 or so) that is royal blue with a black label- gorgeous looking. My personal memory includes the early pressings of Dave Mason's Alone Together 'splatter vinyl' and a couple odd-balls. I find them harder to see when cleaning and cueing. I just got my very first picture disc last year- a band my buddy Max likes, and the pressing was only released as a picture disc. I always thought those were supposed to be noisy, but this played OK. I guess I have some of those Classic Claritys that are translucent green, and some of the Quiex and DJM pressings that look black but read another color (the DJMs are almost blood red) in the light.
    Seems like a "thing" for new releases these days, though.
    The carbon black was used, as you know, as part of the vinyl compound, to reduce static by making the record more conductive. If you recall, that's what led Mike Hobson to Clarity formulations- he believed that the carbon black messed with the electrical properties of the record and created a higher noise floor. (Black also hides plate-out issues better, according to stuff in my files, seems kind of obvious).

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    • #3
      My entire record collection at one time was canary yellow.......Golden Records when I was 5 years old.🙂 As an adult, while I find colored vinyl fun, most of the pressings I have found and purchased used have been terrible pressings and have gone back to the used bins.
      TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Ortofon Windfeld-Ti Cartridge, Harmonix-Combak platter matte & weight; Arcam R Phono Preamp; KLAudio Ultrasonic Record Cleaner.

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      VTL 6.5 preamp Series II
      Pass Labs 150.8 Amp

      Piega C711 Loudspeakers

      Symposium Osiris Rack; Symposium Platforms and Roller Blocks plus grade 2.5 Balls

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      Shunyata Hydra 8; Shunyata AC Cords; Synergistic Research Level 3 HC AC Cord and Level 3 power cord, Synergistic Carbon fiber wall plates & Blue Outlets, Furutech NCF Booster Brace, Audio Art Ref balanced ICs, MIT Oracle IC and Magnum Speaker Cables

      Sennheiser HDV 650 Headphone Amp; Sennheiser HD1200s Headphones.

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      • #4
        Originally posted by 1morerecord2clean View Post
        My entire record collection at one time was canary yellow.......Golden Records when I was 5 years old.🙂 As an adult, while I find colored vinyl fun, most of the pressings I have found and purchased used have been terrible pressings and have gone back to the used bins.
        I've not experienced that at all, but then we may not be buying the same thing (and probably aren't).
        There are so many threads on various fora that discuss the quality issue of black vs colored vinyl with opinion being shared almost equally. I don't go out of my way to obtain colored vinyl, but I don't hesitate either if that is the only pressing available. The only issue I've had (and that is only from a visual perspective and not sound quality) is with white vinyl whereby there is some black compound streaking/spotting. I've been able to get replacement copies on two titles where this discoloration was excessive and unacceptable to me. If it's minor I let it pass. YMMV.
        Dynavector DV20x2L MC cartridge - Genesis G7.1f speakers - Marantz Reference PM-KI-Pearl Int. Amp. - Oracle Audio Paris MkV turntable - Various Morrow & Valab/King cables

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        • #5
          I guess an exception would be the reissue of Blade Runner which is red and is a very good pressing.
          TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Ortofon Windfeld-Ti Cartridge, Harmonix-Combak platter matte & weight; Arcam R Phono Preamp; KLAudio Ultrasonic Record Cleaner.

          Bluesound Vault-2 Music Server & Streamer

          VTL 6.5 preamp Series II
          Pass Labs 150.8 Amp

          Piega C711 Loudspeakers

          Symposium Osiris Rack; Symposium Platforms and Roller Blocks plus grade 2.5 Balls

          Acoustic Revive RR-888 Low Frequency Pulse Generator

          Shunyata Hydra 8; Shunyata AC Cords; Synergistic Research Level 3 HC AC Cord and Level 3 power cord, Synergistic Carbon fiber wall plates & Blue Outlets, Furutech NCF Booster Brace, Audio Art Ref balanced ICs, MIT Oracle IC and Magnum Speaker Cables

          Sennheiser HDV 650 Headphone Amp; Sennheiser HD1200s Headphones.

          Comment


          • Garth
            Garth commented
            Editing a comment
            I have that in red and your right a very good pressing lots of bass

        • #6
          I have a Beatles LP pressed on yellow vinyl and it actually sounds really good. However, I never go out of my way to buy LPs on colored vinyl because I think it's a gimmick and does not add to the sound quality.
          Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, JBL 4345 speakers, and Def Tech Ref subs.

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          • #7
            I remember a few jazz labels like Fantasy and Audiophile in the late '50s and early '60s doing colored records. Red and blue IIRC.
            Myles B. Astor, PhD, Administrator
            Senior Editor, Positive-Feedback.com
            ________________________________________

            -Magico S5 Mk.2 speakers with SPod feet
            -Goldmund Telos 280 stereo amp
            -Goldmund Mimesis 37S Nextgen preamplifier
            -Doshi V3.0 phonostage
            -VPI Vanquish direct-drive turntable
            -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
            -Lyra Atlas SL Lambda, Fuuga, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
            -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
            -Assorted cables including Transparent XL Gen. 5, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
            -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA platforms.

            Comment


            • #8
              I like my LPs the same way I like my coffee-black.
              Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, JBL 4345 speakers, and Def Tech Ref subs.

              Comment


              • #9
                The Clarity vinyl pressing were pretty good---that is when you could slip them over the turntable spindle.
                Myles B. Astor, PhD, Administrator
                Senior Editor, Positive-Feedback.com
                ________________________________________

                -Magico S5 Mk.2 speakers with SPod feet
                -Goldmund Telos 280 stereo amp
                -Goldmund Mimesis 37S Nextgen preamplifier
                -Doshi V3.0 phonostage
                -VPI Vanquish direct-drive turntable
                -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
                -Lyra Atlas SL Lambda, Fuuga, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
                -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
                -Assorted cables including Transparent XL Gen. 5, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
                -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA platforms.

                Comment


                • #10
                  A rather decent percentage of new releases and re-releases are offered in colored and multi-colored vinyls. Most I have purchased play quite well.
                  Avalon Time, Walker Proscenium, Koetsu Coralstone, Air Tight PC-1 Supreme, Goldfinger Statement, Dalby record weight, Kondo KSL-SFz step-up, Jadis JP80-MC...heavily modified, Convergent Audio JL-2 Black Path, Sony NS999 ES Modwright modded, full loom High Fidelity Ultimate cables, Rel S-5 sub, Stillpoints ultra and 5's, Shun Mook, Dalby footers, Critical Mass bases, Acoustic System Resonators, Magnum Dynalab Etude, Telefunkens throughout, assorted fuses, Furutech outlets, PurePower conditioner.

                  Comment


                  • #11
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                    Dynavector DV20x2L MC cartridge - Genesis G7.1f speakers - Marantz Reference PM-KI-Pearl Int. Amp. - Oracle Audio Paris MkV turntable - Various Morrow & Valab/King cables

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