Here's a short article I thought I would share.
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What exactly is World Music?
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What exactly is World Music?
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I would agree with the article. The composer David Amram devoted a lot of his time to music of the world late in his career. When I was in my late teens and early twenties and still in music school I had no interest. Now in my sixties I have interest and own some music in this broad genre.Turntable: TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Transfiguration Proteus Cartridge (repaired and re-tipped by AnaMightySound), Massif Record Weight, PS Audio Stellar Phono Preamp; KLAudio Ultrasonic Record Cleaner.
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Isolation: Symposium Osiris Rack; Symposium Platforms and Roller Blocks and grade 2.5 Balls
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Sennheiser HDV 650 Headphone Amp; Sennheiser HD800s Headphones. -
I would agree with the article. The composer David Amram devoted a lot of his time to music of the world late in his career. When I was in my late teens and early twenties and still in music school I had no interest. Now in my sixties I have interest and own some music in this broad genre.
How would you classify artists like Loreena McKennitt or even Enya? I've seen both World Music and New Age labels attached.Dynavector DV20x2L MC cartridge - Genesis G7.1f speakers - Marantz Reference PM-KI-Pearl Int. Amp. - Oracle Audio Paris MkV turntable - Various Morrow & Valab/King cablesComment
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Here's a short article I thought I would share.
http://www.oscarvandillen.com/tools_...s/world_music/
One famous song that drew for example from "world music" was Dave Brubeck's "Take Five" from his album Time Out. (that is actually 3+2/5 as I understand).
You also have "Blue Rondo a la Turk" also from that album that derives its musical structure from those Turkish street musicians. Here you have a structure of 2+2+2+3 interspersed with 3+3+3 measure (9/4).
Not to mention the influence of Indian music on the Beatles. And so on and so on.....Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
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I wouldn't include anything other than non traditional western music in the category. So for example, I wouldn't include western music incorporating rhythms or harmonies from the world category such as Mozart operas and symphonies or Jazz like the Brazilian rage of the 60 and 70s. There have been many periods in western culture which have used elements of other cultures in their arts. To me it's a perversion of sorts and not part of the subject. I would include Traditional Asian music, Fado, Flamenco, to name a few.Turntable: TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Transfiguration Proteus Cartridge (repaired and re-tipped by AnaMightySound), Massif Record Weight, PS Audio Stellar Phono Preamp; KLAudio Ultrasonic Record Cleaner.
Digital: Bluesound Vault-2 Music Server & Streamer
Amplification: VTL 6.5 preamp Series II, Pass Labs 150.8 Amp
Loudspeakers: Piega C711 Loudspeakers
Isolation: Symposium Osiris Rack; Symposium Platforms and Roller Blocks and grade 2.5 Balls
Misc: Acoustic Revive RR-888 Low Frequency Pulse Generator, Synergistic Research 12 UEF SE Line Conditioner, Level 3 HC AC Cord and Level 3 Atmosphere power cords, Synergistic Carbon fiber wall plates, Synergistic Research Orange Outlet, Furutech NCF Booster Braces, synergistic Research Galileo and Atmosphere X Euphoria Level 3 Balanced ICs, Synergistic Research Euphoria Level 3 Speaker Cables, Synergistic Research Cable Risers.
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I wouldn't include anything other than non traditional western music in the category. So for example, I wouldn't include western music incorporating rhythms or harmonies from the world category such as Mozart operas and symphonies or Jazz like the Brazilian rage of the 60 and 70s. There have been many periods in western culture which have used elements of other cultures in their arts. To me it's a perversion of sorts and not part of the subject. I would include Traditional Asian music, Fado, Flamenco, to name a few.And again, countries are an artificial construct.
Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.Comment
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To me it isn't so much about cultures but the scales employed, form, harmony, instruments used , etc. BTW, I know that you Myles know that in the great melting pot, USA, culture and the arts are evolving and where it all goes will be anybody's guess musically speaking. Socially too.Turntable: TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Transfiguration Proteus Cartridge (repaired and re-tipped by AnaMightySound), Massif Record Weight, PS Audio Stellar Phono Preamp; KLAudio Ultrasonic Record Cleaner.
Digital: Bluesound Vault-2 Music Server & Streamer
Amplification: VTL 6.5 preamp Series II, Pass Labs 150.8 Amp
Loudspeakers: Piega C711 Loudspeakers
Isolation: Symposium Osiris Rack; Symposium Platforms and Roller Blocks and grade 2.5 Balls
Misc: Acoustic Revive RR-888 Low Frequency Pulse Generator, Synergistic Research 12 UEF SE Line Conditioner, Level 3 HC AC Cord and Level 3 Atmosphere power cords, Synergistic Carbon fiber wall plates, Synergistic Research Orange Outlet, Furutech NCF Booster Braces, synergistic Research Galileo and Atmosphere X Euphoria Level 3 Balanced ICs, Synergistic Research Euphoria Level 3 Speaker Cables, Synergistic Research Cable Risers.
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To me it isn't so much about cultures but the scales employed, form, harmony, instruments used , etc. BTW, I know that you Myles know that in the great melting pot, USA, culture and the arts are evolving and where it all goes will be anybody's guess musically speaking. Socially too.
I totally agree and that's what I was trying to point out above. But it comes back in some ways to a premise in Daniel Levitan's first book This is Your Brain on Music that society and music are inseparable ("even the most primitive societies have music"). Hence almost all (?all) all cultures have their own form of music.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.Comment
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There is a very funny bit that was caught on video some years ago when Tommy Tedesco (one of the guitarists who made up the notorious Wrecking Crew) was filmed giving a pro-guitar workshop. He explained that he got a call from a film producer/music director who needed some Bolivian music for a scene shot in the mountains involving country people. Tommy then demonstrates to his workshop the riff he provided. Then, Tommy says, I get a call from a guy who needs some Mexican bandito music. Tommy then proceeds to play exactly the same riff to his audience. Then, Tommy says, somebody needs Spanish bullfighting music. Same lick.
We will go hear David Lindley later this week. He will play a variety of instruments from around the world- http://www.davidlindley.com/instruments.html He can pull amazing sounds- Indian, Turkish, African, Russian to American homespun-- from these things, but to me, it's his technique and his genius that make it fascinating and different. One of the early proponents of world music, commercially, was Chris Blackwell. Having grown up part of the time in Jamaica, and having been hugely successful with Bob Marley--turning reggae from an exotic, Caribbean flavored niche into a a widely recognized style of "rock," he went on to explore and support a variety of other performers, lesser known, from Africa and other parts of the world. When you listen to some of the Dead Can Dance stuff, they are blending a variety of motifs and cultural styles into something that almost defies definition.Last edited by Bill Hart; 04-11-2016, 08:48 AM.👍 2Comment
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The best description I've heard is it's "international music", like "International House of Pancakes." :-)
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I always thought of World music to be any non-Western music genre.Magnepan 1.6 QR Loudspeakers, Amherst A-2000 MOSFET 150 WPC Amp, Conrad Johnson PV-10A Modded Tube Line & Phono Stage, Electrocompaniet MC II Class A Head Amp, Audio Technica AT-OC9XML Cart (Stereo) , Graham Engineering 2.2 Tonearm (Stereo) , VPI Aries-1 Turntable (Stereo) , VPI Clamp, Denon DL-102 Cart, (Mono) , Luxman Tonearm (Mono) , Kenwood KD-500 Turntable (Mono) , Michell Clamp, Marantz 20B Analog FM Tuner, Pioneer SACD, Onkyo DX-6800 CD Transport, DIY 24B/192K DAC, Sennheiser HD-650 Headphones, Headroom Max Balanced Headphone Amp, DIY Silver InterconnectsComment
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