One of my fave Tull releases.
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Some Insights Into Jethro Tull's Stand Up Courtesy of Ian Anderson
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Some Insights Into Jethro Tull's Stand Up Courtesy of Ian Anderson
Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
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-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.Tags: None
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Mine too. When I spoke to him, he said the whole blues thing from the first album was really just a vehicle to get established, and that he was already writing the material that appeared on Stand Up at the time they were recording This Was. I think I posted the interview here earlier, but happy to link to it again. The most difficult part was trying to pin down in words exactly what he was doing with Stand Up- it had some of that minstrel acoustic stuff going on, but it clearly wasn't folk (though that movement was very strong in the UK at the time, from Bert Jansch and Renborn to Fairport Convention as the latter transitioned away from American to a sort of Celtic folk); but Tull was also very heavy rock and no one, to my knowledge, put the elements together quite like Tull/Anderson did. Stand Up is really the template for what Tull did best. Anderson couldn't label it either, other than to say, at the time he was doing it, it was "progressive." But as we know, that is a big umbrella that not only covers a lot of other styles; it is sort of an after the fact catch-all today for all kinds of music that sounds nothing like what he was doing. Roy Harper is, as I'm sure I've said many times, a sorely under-recognized artist--his Stormcock is one of the five records I would take to the proverbial desert island. It was later in Harper's work than the records that directly influenced Anderson, but it has the same characteristics- story telling, long form, heavy on contrasts and transitions, from acoustic intervals to heavy, driving rock (though it is mainly an acoustic album). This is, in my estimation, why Stairway- Zep's hard rock anthem- succeeds- the acoustic breaks, the low, slow wind-up, the crescendos that are dramatic, not because they are "loud" but because they resolve the tension. Anderson brilliantly anticipated much of that.
I don't know if the Steve Wilson remix of Stand Up has been released yet. My copy is an early UK pink label bulls-eye which appears to have been pressed at Orlake, and is as good sounding as pretty much any early UK Island pink label I've ever heard. If Wilson can deliver something comparable for a fraction of the price of the original UK pressing, it will be a winner.
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IIRC there is a newly remastered (and likely even remixed) version engineered by Steven Wilson coming this year.Tascam BR-20
Technics 1506 with tape path upgrades, FM head , DeHavilland 222 tape head pre
Modwright Oppo 205 full tube mod w/LPS
Euphony Summus server, EtherRegen, HDPLEX LPS
MSB Discrete DAC (dual PS, ISLPro, balanced out)
Pass Labs XP-12, XA60.8 (pair)
Daedalus Audio Apollo 11’s
VMPS Larger Sub
Daedalus/Wywires, Audioquest, Acoustic Zen, Sablon Audio, Wireworld cables
Core Power Equi=Power
Adona rack; Stillpoints and IsoPods, Tube Traps, GIK
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Isnt STAND UP the album with the gatefold inner jacket that has the popup figures?Magnepan 1.6 QR Loudspeakers, Amherst A-2000 MOSFET 150 WPC Amp, Conrad Johnson PV-10A Modded Tube Line & Phono Stage, Electrocompaniet MC II Class A Head Amp, Audio Technica AT-OC9XML Cart (Stereo) , Graham Engineering 2.2 Tonearm (Stereo) , VPI Aries-1 Turntable (Stereo) , VPI Clamp, Denon DL-102 Cart, (Mono) , Luxman Tonearm (Mono) , Kenwood KD-500 Turntable (Mono) , Michell Clamp, Marantz 20B Analog FM Tuner, Pioneer SACD, Onkyo DX-6800 CD Transport, DIY 24B/192K DAC, Sennheiser HD-650 Headphones, Headroom Max Balanced Headphone Amp, DIY Silver Interconnects
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The original LP release and some of the CD releases have had the pop-up figures. Most of the releases in either format have not, unfortunately.Tascam BR-20
Technics 1506 with tape path upgrades, FM head , DeHavilland 222 tape head pre
Modwright Oppo 205 full tube mod w/LPS
Euphony Summus server, EtherRegen, HDPLEX LPS
MSB Discrete DAC (dual PS, ISLPro, balanced out)
Pass Labs XP-12, XA60.8 (pair)
Daedalus Audio Apollo 11’s
VMPS Larger Sub
Daedalus/Wywires, Audioquest, Acoustic Zen, Sablon Audio, Wireworld cables
Core Power Equi=Power
Adona rack; Stillpoints and IsoPods, Tube Traps, GIK
- Likes 1
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My favorite Tull.Thiel 7.2s, Manley NeoClassic 250s, Wadia 850, MIT Oracle V3 speaker cables, MIT MI-350 Oracle interconnects, Black Diamond Racing Shelves and Cones in a dedicated room with ASC Tube Traps, Room Tunes and 3 X 20 amp dedicated circuits.
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Got a clean copy with pop up of Stand Up at local record store yesterday for $5. Looking for the classic records 200g reissue of aqualungMagnepan 1.7i, VMPS Large Sub, Belden 5000 Speaker Cable, Synthesis 510 AC Integrated Amplifier, Celtic Dragon & Grover EX+ Interconnects, Crown SX 722 R/R, PS Audio Stellar Phono Preamplifier, Clearaudio Solution Turntable, Clearaudio Satisfy Tone Arm, Clearaudio Concerto V2 Cartridge, Clearaudio Smart Syncro, Belkin AP41300 Power Conditioner/Surge Protector, Transparent Power Cables
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Originally posted by [email protected] View PostGot a clean copy with pop up of Stand Up at local record store yesterday for $5. Looking for the classic records 200g reissue of aqualung
- Likes 1
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Originally posted by [email protected] View PostGot a clean copy with pop up of Stand Up at local record store yesterday for $5. Looking for the classic records 200g reissue of aqualungMyles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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