I'm kicking off this discussion by focusing on one of the all time great bands in the history of progressive rock that happened to come from Italy. Banco Del Mutuo Soccorso was fronted by the incomperable classically trained vocalist Francisco Di Giacomo. Unusual for rock, the band featured two keyboardists - the brothers Gianni and Vittorio Nocenzi, one focusing on piano and the other on Hammond organ and synthesizers. The band wore the unmistakable influences of their English contemporaries on their sleeves - ELP, Genesis, Jethro Tull and Yes - but they were able to pull it all together into something of their own. Along with Premiata Forneria Marconi (PFM), Banco created a soung that later became known as RPI (Rock Progressivo Italiano). Many Italian bands followed in their footsteps in the years to come, few with the virtuositic intensity of Banco Del Mutuo Soccorso.
Io Sono Nato Libero is the band's third album. Prog fans can fight all day long over which is their best. This one is as good a candidate as others. The album primarly features long form compositions, opening with the near 16 minute "Canto nomade per un prigioniero politico". This track is emblematic of the band - its an amazing amalgam of contrasts - acoustic and electric, heavy and light all anchored by Francesco's angelic and operatic vocals. If you are a fan of ELP's Trilogy this track will knock you on your ass. The following track "Non mi rompete" was also a staple of their live performances - a showcase for Francesco's voice. And on it goes...
Sound wise it would be difficult to find much in the 70s Italian prog canon that one would consider "audiophile". A lot of these bands recorded in second tier studios or worked with limited budgets. The band's sang in Italian and that limited their popularity to their home country. Banco was really no exception. Io Sono Nato Libero sounds fine. That's about the best you can say about it. It won't win any awards and it won't make you wince. In fact Italian pressings of the 70s were a bit noisy. You might prefer to jump a tape generation down and pick up an original Japanese pressing. Quite nice actually. Banco did attempt a cross over into the English speaking market with a re-recorded greatest hits package that was released on ELP's Manticore label with limited success.
The band kept going up until recently when Francesco Di Giaccomo was killed in a car crash. The band attempted to carry on but Vittorio Nocenzi became very ill as well and that basically ended the band.
I was privileged to see the band perform at Nearfest 2001. They had lost nothing - all the magic was there. Franceso’s voice hadn’t lost a thing. Vittorio Nocenzi - nicknamed “The Devil’s Right Hand” was a dynamo on keyboards. It genuinely was a bone chilling experience. By the end of the performance everyone was standing and brought the band to tears. It was something very special befitting this band.
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