Other than the usual Beatles titles, what would be your ultimate master tape dubs you would kill to have them?
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Originally posted by Ki Choi View Postmine is Dobbie Gray's Drift Away album...
Interesting choice. Based on your selection, I'm going with Alice Cooper Love it to Death.Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, Parasound JC5 amp, JBL 4345 speakers, and Def Tech Ref subs.
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Pink Floyd - The Wall. Not because its their best album, but because its a good recording.Magnepan 1.6 QR Loudspeakers, Amherst A-2000 MOSFET 150 WPC Amp, Conrad Johnson PV-10A Modded Tube Line & Phono Stage, Electrocompaniet MC II Class A Head Amp, Audio Technica AT-OC9XML Cart (Stereo) , Graham Engineering 2.2 Tonearm (Stereo) , VPI Aries-1 Turntable (Stereo) , VPI Clamp, Denon DL-102 Cart, (Mono) , Luxman Tonearm (Mono) , Kenwood KD-500 Turntable (Mono) , Michell Clamp, Marantz 20B Analog FM Tuner, Pioneer SACD, Onkyo DX-6800 CD Transport, DIY 24B/192K DAC, Sennheiser HD-650 Headphones, Headroom Max Balanced Headphone Amp, DIY Silver Interconnects
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Reference Recordings Berlioz Symphonie Fantastique w/ KojianAnalog: VPI Aries 3, custom suspension & platter interface || Magnetically stabilized JMW 10.5i || Ortofon A90, Verismo || Modded & fully shielded Pass XP-25 || VPI SDS speed controller || Magnum Dynalab MD-90SE/105 Digital: Spectral 4000SV Amplification: Spectral DMC-30SV || DMA-500AR Speakers: Custom MartinLogan Cabling: Shielded MIT Oracle 50ic,MA-X,90.1,Shunyata Alpha v2 Other: Shunyata Everest & Sigma/Delta cords; Isodamp, mumetal, 3M AB5100, Dynamat, Copper foil; Vishay diodes, resistors; Mundorf coils & capacitors
Main System Link
Second System Link
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Originally posted by JCOConnell View PostPink Floyd - The Wall. Not because its their best album, but because its a good recording.
Is it just me or is PF music more depressing than than visiting 3 nursing homes on the day your dog died?Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, Parasound JC5 amp, JBL 4345 speakers, and Def Tech Ref subs.
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Black Sabbath - Paranoid
​Led Zeppelin - I
Led Zeppelin II
Crack the Sky - Safety in Numbers
Beth Hart - Live at Paradiso
The Who - Tommy
The Who - Who's Next
Crosby Stills and Nash - ​Crosby Stills and Nash
Crosby Stills Nash and Young - Deja Vu
Neil Young - After the Goldrush
Jimi Hendrix - Avalon Ballroom
Cheap Trick - Budokon
Grand Funk Railroad - Live
MC5 - Kick out the MF Jams
Slade - Slayed?
Moody Blues - Every Good Boy...
And that's just off the top of my head.
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Originally posted by mep View Post
Is it just me or is PF music more depressing than than visiting 3 nursing homes on the day your dog died?Magnepan 1.6 QR Loudspeakers, Amherst A-2000 MOSFET 150 WPC Amp, Conrad Johnson PV-10A Modded Tube Line & Phono Stage, Electrocompaniet MC II Class A Head Amp, Audio Technica AT-OC9XML Cart (Stereo) , Graham Engineering 2.2 Tonearm (Stereo) , VPI Aries-1 Turntable (Stereo) , VPI Clamp, Denon DL-102 Cart, (Mono) , Luxman Tonearm (Mono) , Kenwood KD-500 Turntable (Mono) , Michell Clamp, Marantz 20B Analog FM Tuner, Pioneer SACD, Onkyo DX-6800 CD Transport, DIY 24B/192K DAC, Sennheiser HD-650 Headphones, Headroom Max Balanced Headphone Amp, DIY Silver Interconnects
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CHICAGO: Chicago (1970)
SANTANA: Abraxas (1970)
MARVIN GAYE: What’s Going On (1971)
CURTIS MAYFIELD: Super Fly (1972)
WAR: The World Is a Ghetto (1972)
TOWER Of POWER: Tower of Power (1973)
STEVIE WONDER: Innervisions (1973)
JONI MITCHELL: Court and Spark (1974)
PINK FLOYD: Wish You Were Here (1975)
EAGLES: Hotel California (1976)
SATURDAY NIGHT FEVER: Movie Sound Track (1977)
MICHAEL JACKSON: Thriller (1982)
Vbr,
Sam
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Decca SXL2020 Espana. LarryAnalog- VPIClassic3-3DArm,Lyra Skala+MiyajimaZeroMono, 2xAmpex ATR-102,Otari MX5050B2,Merrill Trident Master Tape Pre,Herron VTPH-2A
Dig Rip-Pyramix,IzotopeRX3Adv,Mykerinos,PacMicroModel2
Dig Play-mchNADAC, LampiHorizon, Roon, HQP, Oppo105
Electronics-Doshi Pre,CJ MET1mchPre, Cary2A3monoamps
Speakers-AvantgardeDuosLR,3SolosC,LR,RR
Other-2x512Engineer/Marutani Symmetrical Power, AudioDiskVinylCleaner, Scott Rust Interconnects,
Music-2000R2Rtapes,50TBrips
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I'm still thinking. I'm feeling like that guy granted three wishes by that genie!Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Originally posted by c1ferrari View PostCHICAGO: Chicago (1970)
SANTANA: Abraxas (1970)
MARVIN GAYE: What’s Going On (1971)
CURTIS MAYFIELD: Super Fly (1972)
WAR: The World Is a Ghetto (1972)
TOWER Of POWER: Tower of Power (1973)
STEVIE WONDER: Innervisions (1973)
JONI MITCHELL: Court and Spark (1974)
PINK FLOYD: Wish You Were Here (1975)
EAGLES: Hotel California (1976)
SATURDAY NIGHT FEVER: Movie Sound Track (1977)
MICHAEL JACKSON: Thriller (1982)
Santana Abraxas is very good sounding and Innervisions only a half step below. Wish You Were Here only if you like the music because the sound is so-so. Nothing like DSOTM because done by a different recording engineer who basically sounded like he was totally incompetent.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Originally posted by JCOConnell View Post
Floyd isn't generally depressing, but the Wall definitely is....Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Ritchie Valens on the original DelFi master tapes. One short short recording year, and Ritchie was gone. Also, the original master tapes are very unique. Some of Ritchie's musical vibe is lost and wish I could hear him live (or the master tapes). This according to Steve Hoffman, the remastering guru, in his conversation with Bob Keane of DelFi who worked with Ritchie: "I had a great time sitting with Ritchie Valens' producer Bob Keane today, listening to Valens' master tapes and to Bob's great stories about Ritchie. He had fellow engineer Charlie W. and I in stitches. Every once in a while in my job I get to really enjoy myself, and today, mastering songs like "La Bamba"from the original Gold Star tapes, in the presence of the original producer counts as one of those times. Bob was in no hurry, and we talked about everything under the sun. From the early days of the music business to the Bobby FullerFour and beyond. He was a B-25 pilot in WWII (the type of plane that the famous Doolittle Raiders used), and he had great stories from those days as well. At any rate, even though the Ritchie Valensmaterial is not the last word in fidelity, it was exciting to hear the raw energy coming from the session tapes. Gold Star really didn't have a vocal limiter in 1958 and later days, and engineers Stan Ross and Larry Levine just used the natural console overload to "limit" Ritchie's voice. So, when he screams into the microphone, he SCREAMS! It just pins the meters. I think I jumped several times, not being used to the "uncompressed" sound of the original session tapes. I was adamant about keeping this original sound for my Audio Fidelity SACD. I had to reduce the overall levels of everything to keep his vocal exuberance from causing the DSD recorder to explode, but I think this will be the first Ritchie Valensrelease to actually capture the real "sound" of Ritchie. I could clearly hear that he was using a Fender Tweed Vibrolux for his guitar soundand that he was using the center pickup on his Fender Stratocastermost of the time."
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