As the title says, how and what do you use to dial in your anti skate?
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How Do You Set Anti Skate
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Its a very good question to which in my opinion there is no difinitive answer.
I use my ears. I would recommend ignoring the scale provided on the tonearm and start with the minimum and work yourself up. If you start to get channel imbalances that is a sure sign somethings wrong. You should notice this at the very bottom and top of the scale.
Saying that I do find I tend to stick with minimum Antiskate force in the end.
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My Oracle comes with 3 different weights and there are 3 notches on the small diameter pin (don't know the proper word) that protrudes behind the weight. I've set it based on Oracle's recommendations. Should I remove the anti-skate and try it without?Dynavector DV20x2L MC cartridge - Genesis G7.1f speakers - Marantz Reference PM-KI-Pearl Int. Amp. - Oracle Audio Paris MkV turntable - Various Morrow & Valab/King cables
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Originally posted by Johnny Vinyl View PostMy Oracle comes with 3 different weights and there are 3 notches on the small diameter pin (don't know the proper word) that protrudes behind the weight. I've set it based on Oracle's recommendations. Should I remove the anti-skate and try it without?
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Originally posted by jcmusic View PostI would recommend that you look into it for sure, my triplanar came with a weight on the anti skate bar and upon weighing it I found it was wayyyyyyyy too much weight!!! So i have taken it off and used rubber o rings as the weight, works perfectly.Dynavector DV20x2L MC cartridge - Genesis G7.1f speakers - Marantz Reference PM-KI-Pearl Int. Amp. - Oracle Audio Paris MkV turntable - Various Morrow & Valab/King cables
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I follow instructions provided by SME for my V12. Once everything is perfect via instructions, I listen and adjust by ear. I think there are things going on that cannot be set exclusively by tools. I also believe there are variables in cartridges, meaning two of same brand may not sound best at same track and anti skate forces.
No one mentions torque, one of the most overlooked details in setting up a cartridge.
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Harry Weisfeld doesn't like antiskating. He states that it introduces more issues than it solves, particularly with a record that the spindle hole is off center, He further stated that the amount of anti skate a record requires is not constant across the entire record, but changes as the tonearm travels inwards. I figure he probably knows more than most about such things.
That said, I tend to use less than half the tracking force of the cartridge which seems a benign compromise. Well, excepting the Well Tempered arm which is always an exercise in frustration. Just left that one at a little more than zero observable anti skate. It does many things well including frustrate me. Bill Firebaughs original design.
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Originally posted by Rust View PostHarry Weisfeld doesn't like antiskating. He states that it introduces more issues than it solves, particularly with a record that the spindle hole is off center, He further stated that the amount of anti skate a record requires is not constant across the entire record, but changes as the tonearm travels inwards. I figure he probably knows more than most about such things.
That said, I tend to use less than half the tracking force of the cartridge which seems a benign compromise. Well, excepting the Well Tempered arm which is always an exercise in frustration. Just left that one at a little more than zero observable anti skate. It does many things well including frustrate me. Bill Firebaughs original design.
Peter Lederman has to say about anti skate, and I am sure he knows what he is talking also...
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Originally posted by jcmusic View PostAgreed!!! Harry is correct about the non constant and changing anti skate across the record, that is why you set it for an average instead of a dead number. Read what
Peter Lederman has to say about anti skate, and I am sure he knows what he is talking also...Anti-skating is sort of like negative feedback. Trying to correct after the fact. And a lot of Harry's thoughts come from years of consultation with Joe Grado and Mitch Cotter. (who in part designed the geometry of the arm.)
I tried using my VPI arm with and without anti-skating and it always sounded better without.
I do wonder if that would hold true for say a Graham that adjusts for antiskating differently.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Originally posted by Albert Porter View PostI follow instructions provided by SME for my V12. Once everything is perfect via instructions, I listen and adjust by ear. I think there are things going on that cannot be set exclusively by tools. I also believe there are variables in cartridges, meaning two of same brand may not sound best at same track and anti skate forces.
No one mentions torque, one of the most overlooked details in setting up a cartridge.
Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Originally posted by MylesBAstor View Post
OK so spill the beans!
Yeah, spill the beans! How many inch pounds? What break-away torque wrench do you recommend for cartridges??Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, Parasound JC5 amp, JBL 4345 speakers, and Def Tech Ref subs.
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Originally posted by mep View Post
Yeah, spill the beans! How many inch pounds? What break-away torque wrench do you recommend for cartridges??Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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