David K. brought up,an excellent point in one of his posts in the horn speaker thread.
Personally speaking, bass is an area that might represent the biggest trade offs in our audio system. For instance, Magnepans do in some ways stand up basses in ways dynamic speakers can only dream of. And vice versa.
When it comes to amps, I am firmly in David's camp. No solid-state amp that I have heard can reproduce for instance the magic of the cello on the Janaki String Trio tape like the cj ART amp. And even more so after the upgrade to the cj GAT preamp. There is a sense of wood and strings, plucking vs bowing and radiating body with a beginning and end to the instrument that eludes most solid-state amps.
The Kondo amplifier also had low end unlike many SE amps I've heard, especially from the '90s where you had to give up the frequency extremes to get a taste of that midrange. But I can't speak to other SE amps being made today.
Yet I might feel differently if I owned other speakers or say listened more to rock music, electric bass or even say a Reference Recordings title with their seemingly bottomless low end. The type of low end that goes on forever and requires a true full range system to properly reproduce. Here you might really appreciate say the grip of an amplifier like Dan D'Agostino's Momentum amps bring to the table.
What are other people's thoughts and feelings on the subject and how does it impact the choice of amps and speakers in their system?
Contrary to popular belief tube amps have more natural bass than ss equivalents, with competent SET electronics like Lamm ML2 & ML3 (yes, I'm biased
!) being the most natural, semi active designs rob you of that.

When it comes to amps, I am firmly in David's camp. No solid-state amp that I have heard can reproduce for instance the magic of the cello on the Janaki String Trio tape like the cj ART amp. And even more so after the upgrade to the cj GAT preamp. There is a sense of wood and strings, plucking vs bowing and radiating body with a beginning and end to the instrument that eludes most solid-state amps.
The Kondo amplifier also had low end unlike many SE amps I've heard, especially from the '90s where you had to give up the frequency extremes to get a taste of that midrange. But I can't speak to other SE amps being made today.
Yet I might feel differently if I owned other speakers or say listened more to rock music, electric bass or even say a Reference Recordings title with their seemingly bottomless low end. The type of low end that goes on forever and requires a true full range system to properly reproduce. Here you might really appreciate say the grip of an amplifier like Dan D'Agostino's Momentum amps bring to the table.
What are other people's thoughts and feelings on the subject and how does it impact the choice of amps and speakers in their system?
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