The McIntosh MC275 has rightfully been heralded as one of the top ten iconic and revolutionary amps ever produced. Wondering if their current iteration (version VI) still stacks up with current amps, both mainstream and boutique companies... Is it so popular due to its "cool factor" and iconic status or is it truly top notch compared to others at or above its price point? I will hope to demo one soon, but wanted to get some opinions. Many consider McIntosh so popular because of its "brand," but wondering how the MC275 is viewed in the audiophile community on this forum....
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McIntosh MC275 still one of the best?
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What does the latest version sell for new now?
Magnepan 1.6 QR Loudspeakers, Amherst A-2000 MOSFET 150 WPC Amp, Conrad Johnson PV-10A Modded Tube Line & Phono Stage, Electrocompaniet MC II Class A Head Amp, Audio Technica AT-OC9XML Cart (Stereo) , Graham Engineering 2.2 Tonearm (Stereo) , VPI Aries-1 Turntable (Stereo) , VPI Clamp, Denon DL-102 Cart, (Mono) , Luxman Tonearm (Mono) , Kenwood KD-500 Turntable (Mono) , Michell Clamp, Marantz 20B Analog FM Tuner, Pioneer SACD, Onkyo DX-6800 CD Transport, DIY 24B/192K DAC, Sennheiser HD-650 Headphones, Headroom Max Balanced Headphone Amp, DIY Silver Interconnects
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Can you ask your buddy which Cary model he owns? Curious if it is the CAD 120 S.
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My friend is an authorized dealer of cary and VAS. His name is Ozwaldo Martinez and his email is [email protected]. The amp is the Cary Audio CAD-120S Mk.II At slightly lower power he also sells the excellent monoblocks VAS Citation 2 for less money for the pair. I think he said
he can get these for you new or used. Ive known and dealt with him for years and he knows audio and is trustworthy.
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Originally posted by JCOConnell View PostWhat does the latest version sell for new now?
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While there seems to be some improvements from generation to generation, it seems the current model is more similar to the earlier generations than different, which is why I wonder how it competes with modern-day amps on the audiophile market (I guess competing with Amps under $10k - such as EAR, VAC, Primaluna, PASS, Audio Note, Conrad Johnson, etc)
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I would be interested in a comparison between the latest iteration and one of the early ones, both in terms of sound and build quality.
When I was visiting with an old school tech guy here in Austin a couple weeks ago, he couldn't say enough about the build quality of the old stuff--and this guy was mainly focused on gear that was gigged, heavily used and schlepped around for sound reinforcement. His standards are different than "audiophile" standards, but in the era that company came into business, they employed standards, he claimed, that were consistent with military grade hardware.
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Originally posted by Bill Hart View PostI would be interested in a comparison between the latest iteration and one of the early ones, both in terms of sound and build quality.
When I was visiting with an old school tech guy here in Austin a couple weeks ago, he couldn't say enough about the build quality of the old stuff--and this guy was mainly focused on gear that was gigged, heavily used and schlepped around for sound reinforcement. His standards are different than "audiophile" standards, but in the era that company came into business, they employed standards, he claimed, that were consistent with military grade hardware.Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, JBL 4345 speakers, and Def Tech Ref subs.
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I am not sure that the McIntosh 275 bears much resemblance to it's predecessor. The new machine is all PCB construction and if you youtube it.. you should be able to see a "how it is made video" on the construction of this machine. Pay special attention to how the speaker binding posts are attached for example.
https://www.youtube.com/watch?v=2HgS6gvokEI
I think we should thank McIntosh for still producing the product.. but I believe there is a reason why good examples of the originals are more expensive than the current production outside of scarcity. Even so, at $5500 the current MC275 is a bargain I would think .
The cost of labour and loss of knowledge with engineers like Sid Smith and Peter Walker long gone will mean that with few exceptions we won't get the attention to detail had in days of yore.
Parts quality has definitely improved.
The nice tight p-p construction and wiring harness techniques of my Marantz 8b, Futterman and Quad II are good memories though.
Phono: Aesthetix Io Eclipse with 2 Power Supplies and Volume controls
Brinkmann Balance & RonT Tube Power supply with Kuzma 4-point ,FR64S, Brinkmann 12.1 , .Koetsu Jade Platinum,Koetsu Rosewood Signature Platinum, Lyra Atlas Lamda, Lyra Etna SL Goldfinger Statement, KLAUDIO RCM, HRSM3X
Amps: Custom Direct Drive, Wyetech Topaz, Futterman H3 Quad II,Citation II, Marantz 8b, 5 ,2. Bedini 25/25
Pre-Amps:Marantz 7, Marantz Model 1 Consolette Pair
Speakers: Beveridge Model 3 Direct Drive amps, REL S/2 x 2, Quad ESL pair
Otari 5050BXII, DeHavilland 222
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What speakers are you driving with the amp? A friend uses an MC275 with his Thiel 2.4s and loves the combination. There are lots of reviews you can read:
https://www.google.com/search?site=&...29%2Cnso-qnt-nThiel 7.2s, Manley NeoClassic 250s, Wadia 850, MIT Oracle V3 speaker cables, MIT MI-350 Oracle interconnects, Black Diamond Racing Shelves and Cones in a dedicated room with ASC Tube Traps, Room Tunes and 3 X 20 amp dedicated circuits.
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Originally posted by kcin View PostI am not sure that the McIntosh 275 bears much resemblance to it's predecessor. The new machine is all PCB construction and if you youtube it.. you should be able to see a "how it is made video" on the construction of this machine. Pay special attention to how the speaker binding posts are attached for example.
https://www.youtube.com/watch?v=2HgS6gvokEI
I think we should thank McIntosh for still producing the product.. but I believe there is a reason why good examples of the originals are more expensive than the current production outside of scarcity. Even so, at $5500 the current MC275 is a bargain I would think .
The cost of labour and loss of knowledge with engineers like Sid Smith and Peter Walker long gone will mean that with few exceptions we won't get the attention to detail had in days of yore.
Parts quality has definitely improved.
The nice tight p-p construction and wiring harness techniques of my Marantz 8b, Futterman and Quad II are good memories though.
My McI MX110z is a total rat's nest- so much stuff crammed onto one chassis.
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It's still the best McIntosh amp I've ever heard. I had one, and bought a 2nd one to use as mono, but unfortunately, it didn't work that well when bridged. Lost a lot of the magic.
But still, it's more like a 90W amp, so pretty beefy there.
Disclosure:Alma Music and Audio - La Jolla, CAAqua Hi-Fi - Audio Research - Audioquest - Audionet - Audiopax - Auralic - Aurender - Bergmann - Brodmann - D'Agostino - darTZeel - Devialet - DEQX - ELAC - Evolution Acoustics - Hegel - iFi - Innuos - IsoTek - Kii Audio - Koetsu - Kronos - Kubala Sosna - Kuzma - Larsen - Linn - MSB Technology - Music Hall - Ortofon - Solid Steel - Technics - Wharfedale - Wilson Audio - YG Acoustics
[ http://almaaudio.com ]
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I also don't believe that the current production MC275 amps have output transformers of the same quality as the originals. They are not wound the same way if memory serves me correctly. On the other hand, they do have better quality caps and resistors than the original and include balanced inputs.Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, JBL 4345 speakers, and Def Tech Ref subs.
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I didn't want to recommend the ARC REF 75, as it's almost twice the money... But if you can make it, it's definitely a great purchase!
Disclosure:Alma Music and Audio - La Jolla, CAAqua Hi-Fi - Audio Research - Audioquest - Audionet - Audiopax - Auralic - Aurender - Bergmann - Brodmann - D'Agostino - darTZeel - Devialet - DEQX - ELAC - Evolution Acoustics - Hegel - iFi - Innuos - IsoTek - Kii Audio - Koetsu - Kronos - Kubala Sosna - Kuzma - Larsen - Linn - MSB Technology - Music Hall - Ortofon - Solid Steel - Technics - Wharfedale - Wilson Audio - YG Acoustics
[ http://almaaudio.com ]
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I had an ARC REF 110, the circuit topology is very similar to the REF 75 and it was very good sounding but not what I would call a 'classic' tube sound, it was more SS (in a good way). the other thing is that its balanced only and a non-starter if you want to integrate a REF series amp with single ended preamp.
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These Oldies are still good enough for me. I had no chance to listen to the newly build MC275's but to compare them is of no use to me. One time in your life you have to settle down with what you have and luckily I reached my Audionirvana.
Reg. C22CE: Changed for the line part from the Siemens ECC 801S to the Brimar 6060 and WOW, this was it! Phono runs with Philips E83CC SQ. What an increase of fine details to the before used Sovtek 12AX7LPS.
Reg. MC275CE: Finally I switched from the build-in (at the time I purchased the Amp) Siemens ECC801 S to the Westinghouse 12AZ7A and the Performance increased directly.
Main Amp drives a high sensitivity loudspeakers by the 8ohm output, this means nearly no load at all to the MC and it performs really quick with full details allover the range.Pre - McIntosh C22CE, Main - MC275CE, CD - Cary Audio CD303, Turntable - Thorens TD125 MkII, Tonearm - Schick 9,6, Cartridge - Ortofon Wood A, SUT - Sculpture A Mini Nano, Speakers - Dynamikks12,
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