In recent weeks, I visited Mike L and Gary K and heard their wonderful systems. They are both great but significantly different in fundamental style of listening to me.
It got me to think that what Mike has set up is a grand scaled nearfield listening similar to how a studio would have nearfield monitors setup on top of the mixing board and listening from the chair positioned relatively close the speakers. The sound I heard was very similar to music heard through a good pair of headphones with the room impacting very little in the listening equation or getting out of the way of the music coming to me. Bruce B's studio is similar in listening environment as I recall.
The common theme in these rooms is that the speakers disappear -as they say- and the music floats in between two speakers. This is my preference as well.
OTOH, Gary's setup is closer to "wall of sound" that one would hear from a live concert where there's no 3D imaging to speak of and in most cases mono material played through various PA speakers (other than live un-mic'ed performances), I would guess. Gary's listening chair is far away from the speakers and certainly doesn't follow the equilateral triangle setup with no toe-in for the speakers at all - I would call it farfield listening.
In both cases, having full range of high fidelity is common requirement especially no boomy bass.
So what's your preference?
It got me to think that what Mike has set up is a grand scaled nearfield listening similar to how a studio would have nearfield monitors setup on top of the mixing board and listening from the chair positioned relatively close the speakers. The sound I heard was very similar to music heard through a good pair of headphones with the room impacting very little in the listening equation or getting out of the way of the music coming to me. Bruce B's studio is similar in listening environment as I recall.
The common theme in these rooms is that the speakers disappear -as they say- and the music floats in between two speakers. This is my preference as well.
OTOH, Gary's setup is closer to "wall of sound" that one would hear from a live concert where there's no 3D imaging to speak of and in most cases mono material played through various PA speakers (other than live un-mic'ed performances), I would guess. Gary's listening chair is far away from the speakers and certainly doesn't follow the equilateral triangle setup with no toe-in for the speakers at all - I would call it farfield listening.
In both cases, having full range of high fidelity is common requirement especially no boomy bass.
So what's your preference?
Comment