Warner Music Group jumps on the MQA bandwagon, the discussion in the comments section gets heated, Charles Hanson from Ayre makes some pretty good technical points, and reveals the new Ayre will decode HDCD encoded files or discs.
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The latest dogfight on MQA at Stereophile
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Here's the link:
http://www.stereophile.com/content/w...VhM4bIlwzpM.97
Deja vu all over again. Shades of 1980 and best thing since sliced bread. Cram it down people's throats and then find out the problems after it's been adopted.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Originally posted by Hugh View PostI really don't understand why people love to fight over, IMO, frivolous things.
One man trash is another man treasure.
Why can't we just enjoy the music!Turntable: TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Transfiguration Proteus Cartridge, Harmonix-Combak platter mat & weight; PS Audio Stellar Phono Preamp; KLAudio Ultrasonic Record Cleaner.
Digital: Bluesound Vault-2 Music Server & Streamer
Amplification: VTL 6.5 preamp Series II, Pass Labs 150.8 Amp
Loudspeakers: Piega C711 Loudspeakers
Isolation: Symposium Osiris Rack; Symposium Platforms and Roller Blocks and grade 2.5 Balls
Misc: Acoustic Revive RR-888 Low Frequency Pulse Generator, Synergistic Research 12 UEF SE Line Conditioner, Level 3 HC AC Cord and Level 3 Atmosphere power cords, Synergistic Carbon fiber wall plates, Synergistic Research Orange Outlet, Furutech NCF Booster Braces, synergistic Research Galileo and Atmosphere X Euphoria Level 3 Balanced ICs, Synergistic Research Euphoria Level 3 Speaker Cables, Synergistic Research Cable Risers.
Sennheiser HDV 650 Headphone Amp; Sennheiser HD800s Headphones.
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Originally posted by Hugh View PostI really don't understand why people love to fight over, IMO, frivolous things.
One man trash is another man treasure.
Why can't we just enjoy the music!Tascam BR-20
Technics 1506 with tape path upgrades, FM head , DeHavilland 222 tape head pre
Modwright Oppo 205 full tube mod w/LPS
Euphony Summus server, EtherRegen, HDPLEX LPS
MSB Discrete DAC (dual PS, ISLPro, balanced out)
Pass Labs XP-12, XA60.8 (pair)
Daedalus Audio Apollo 11’s
VMPS Larger Sub
Daedalus/Wywires, Audioquest, Acoustic Zen, Sablon Audio, Wireworld cables
Core Power Equi=Power
Adona rack; Stillpoints and IsoPods, Tube Traps, GIK
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I am somewhat put out by the near hysteria displayed by the Stereophile reviewers/staff over critical commentary regarding MQA. In particular Atkinson essentially stating their opinions should be accepted as gospel and any other opinion thus irrelevant. And sounding somewhat shrill and alarmed in the process. On the other side of the gushing glittering bandwagon hype, many folks whose opinions have merit are less than impressed with MQA based on listening to the same demos.
So, from my perspective, to enjoy the "benefits" of I must purchase new hardware, must purchase new software to replace my existing library at likely $25.00 or more a pop and believe that there is no DRM or spyware involved. Oh, and I am not actually purchasing the music but an end users agreement which likely completely indemnifies everyone except me. With no verifiable proof it actually does anything better.
Over the years I've skipped El-Cassette, Beta, HD-DVD, DVD-A, SACD, the so far stillborn Music Blu-Ray and downloads in general based on a wait and see attitude and limited discretionary funds. Other than convenience I see no advantage in a file based system, and for that I can rip the music I already own.
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Originally posted by rbbert View PostThat would be best, but the problem is these "format wars" get in the way of that, either by making the music harder to obtain, or not sound as good as it can, and probably other negative effects as well (to say nothing of the effects on our pocketbooks)
It seems to me to be the same old ploy by the record labels. Go to the record labels and tell them you have developed something makes their music releases sound like you are there. What do you think the first thing will be out of their mouths? Will it make me more money. Plain and simple truth.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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And a frequent corollary; will it make money for just "me" ("me" being the record company in this case)?Last edited by rbbert; 05-11-2016, 12:43 PM.Tascam BR-20
Technics 1506 with tape path upgrades, FM head , DeHavilland 222 tape head pre
Modwright Oppo 205 full tube mod w/LPS
Euphony Summus server, EtherRegen, HDPLEX LPS
MSB Discrete DAC (dual PS, ISLPro, balanced out)
Pass Labs XP-12, XA60.8 (pair)
Daedalus Audio Apollo 11’s
VMPS Larger Sub
Daedalus/Wywires, Audioquest, Acoustic Zen, Sablon Audio, Wireworld cables
Core Power Equi=Power
Adona rack; Stillpoints and IsoPods, Tube Traps, GIK
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Originally posted by Rust View PostIn particular Atkinson essentially stating their opinions should be accepted as gospel and any other opinion thus irrelevant. [snip]
So, from my perspective, to enjoy the "benefits" of I must purchase new hardware, must purchase new software to replace my existing library at likely $25.00 or more a pop and believe that there is no DRM or spyware involved. Oh, and I am not actually purchasing the music but an end users agreement which likely completely indemnifies everyone except me. With no verifiable proof it actually does anything better.
Over the years I've skipped El-Cassette, Beta, HD-DVD, DVD-A, SACD, the so far stillborn Music Blu-Ray and downloads in general based on a wait and see attitude and limited discretionary funds. Other than convenience I see no advantage in a file based system, and for that I can rip the music I already own.
I know a technology that has that 'you are there' quality... the LP. What's old is new again
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All I see is another format for the music labels the music streamers, the Hi-Rez download sites and the DAC makers to make a little but of money off the next wiz bang thing to hit the audio world. What's next the reintroduction of the 8 track tape.Chris
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Kef 201/2, Pass xa30.5, W4S STP-SE, Manley Chinook, VPI Classic, Dynavector DV20x2L, ExaSound e32, Acoustic Zen cables. (Office): Vincent SP331 Mkll, Quicksilver Pre, Lumin D1, (Ken Lau Signiture Edition PSU), Bryston BCD-1, Vapor Audio Breeze, WooAudio W6se,Questyle Audio CMA800R LCD-3,HD800s, HD600, Mr Speaker Ether C Flow,
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Originally posted by cpp View PostAll I see is another format for the music labels the music streamers, the Hi-Rez download sites and the DAC makers to make a little but of money off the next wiz bang thing to hit the audio world. What's next the reintroduction of the 8 track tape.
Nah. Everybody whoever owned an 8 track tape player back in the day always knew they sucked and they didn't suck any less on their way out of the commercial marketplace.Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, Parasound JC5 amp, JBL 4345 speakers, and Def Tech Ref subs.
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Originally posted by cpp View PostAll I see is another format for the music labels the music streamers, the Hi-Rez download sites and the DAC makers to make a little but of money off the next wiz bang thing to hit the audio world. What's next the reintroduction of the 8 track tape.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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I'm going to wait until my NAK deck is worth at least $1k and then I will sell it. Hopefully to some hipster with black glasses and some facial hair that looks just like every other hipster who is trying to look uniquely cool.Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, Parasound JC5 amp, JBL 4345 speakers, and Def Tech Ref subs.
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Originally posted by cpp View PostAll I see is another format for the music labels the music streamers, the Hi-Rez download sites and the DAC makers to make a little but of money off the next wiz bang thing to hit the audio world. What's next the reintroduction of the 8 track tape.
And the million dollar question. What happens to Pono?Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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