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Who says there are no modern record pressing machines and facilities

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  • Who says there are no modern record pressing machines and facilities

    Analog: VPI Aries 3, custom suspension & platter interface || Magnetically stabilized JMW 10.5i || Ortofon A90, Verismo || Modded & fully shielded Pass XP-25 || VPI SDS speed controller || Magnum Dynalab MD-90SE/105 Digital: Spectral 4000SV Amplification: Spectral DMC-30SV || DMA-500AR Speakers: Custom MartinLogan Cabling: Shielded MIT Oracle 50ic,MA-X,90.1,Shunyata Alpha v2 Other: Shunyata Everest & Sigma/Delta cords; Isodamp, mumetal, 3M AB5100, Dynamat, Copper foil; Vishay diodes, resistors; Mundorf coils & capacitors

    Main System Link
    Second System Link

  • #2
    Funny enough, I’ve seen two companies building new lathes. One doesn’t impress me but the other made by Agnew Analogis a real serious effort.

    The scary thing is the limiting factor in producing records are the lathe cutting heads and the people who can fix and repair them.
    Agnew Analog Reference Instruments can supply, repair, or restore Disk Recording/Mastering systems. Please contact us or read on for more. Lathe Projects Section Analog Disk Recording Information Portal What Shall We Call a Disk Recording System An Overview of the Phonograph Record Manufacturing Process How To Learn the Art and Science of Disk Recording/Mastering Sound recording started out towards the end of the 19th century as a purely mechanical process, where the variations in air pressure which we call sound, were represented as wiggly grooves, cut on a cylindrical object. Soon thereafter, the cylinder was replaced by a rotating disk as the storage medium, and the phonograph record was born! It went through various stages of development and refinement, before taking the form of the stereophonic vinyl record, which still survives to this day, over 140 years after the disk medium was invented. Not only is the vinyl record surviving, but despite significant efforts to replace…
    Myles B. Astor, PhD, Administrator
    Senior Editor, Positive-Feedback.com
    ________________________________________

    -Zellaton Plural Evo speakers
    -Goldmund Telos 440 mono amps
    -Goldmund Mimesis 37S Nextgen preamplifier
    -Doshi EVO and Goldmund PH3.8 phonostage
    -VPI Vanquish direct-drive turntable
    -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
    -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
    -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
    -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
    -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

    Comment


    • #3
      Myles B. Astor, PhD, Administrator
      Senior Editor, Positive-Feedback.com
      ________________________________________

      -Zellaton Plural Evo speakers
      -Goldmund Telos 440 mono amps
      -Goldmund Mimesis 37S Nextgen preamplifier
      -Doshi EVO and Goldmund PH3.8 phonostage
      -VPI Vanquish direct-drive turntable
      -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
      -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
      -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
      -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
      -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

      Comment


      • #4
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        Myles B. Astor, PhD, Administrator
        Senior Editor, Positive-Feedback.com
        ________________________________________

        -Zellaton Plural Evo speakers
        -Goldmund Telos 440 mono amps
        -Goldmund Mimesis 37S Nextgen preamplifier
        -Doshi EVO and Goldmund PH3.8 phonostage
        -VPI Vanquish direct-drive turntable
        -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
        -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
        -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
        -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
        -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

        Comment


        • #5
          May I recommend "Mastering for Records. The Methods and problems" by Tony Batchelor? It is available on Amazon as a Kindle Book. Mr. Batchelor is a cutting engineer but most importantly a dealer in lathes- all used. As such he has sold and had more than 95% of the world's lathes through his hands. As the book was written before all the current fluff, he gives a fascinating and to vinyl fans, frightening insight into lathes and the cutting process. I can no longer remember the detail but did you know there were only 3 builders of lathes, one of which only ever built 2 lathes? That less than 10 Neumanns ever underwent the famed Technics Sp 10 Mk 3 motor transplant?

          Fascinating. Do read it.

          Comment


          • #6
            Originally posted by JDZA View Post
            May I recommend "Mastering for Records. The Methods and problems" by Tony Batchelor? It is available on Amazon as a Kindle Book. Mr. Batchelor is a cutting engineer but most importantly a dealer in lathes- all used. As such he has sold and had more than 95% of the world's lathes through his hands. As the book was written before all the current fluff, he gives a fascinating and to vinyl fans, frightening insight into lathes and the cutting process. I can no longer remember the detail but did you know there were only 3 builders of lathes, one of which only ever built 2 lathes? That less than 10 Neumanns ever underwent the famed Technics Sp 10 Mk 3 motor transplant?

            Fascinating. Do read it.
            Thanks will definitely hunt a copy down!
            Myles B. Astor, PhD, Administrator
            Senior Editor, Positive-Feedback.com
            ________________________________________

            -Zellaton Plural Evo speakers
            -Goldmund Telos 440 mono amps
            -Goldmund Mimesis 37S Nextgen preamplifier
            -Doshi EVO and Goldmund PH3.8 phonostage
            -VPI Vanquish direct-drive turntable
            -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
            -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
            -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
            -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
            -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

            Comment


            • #7
              Stereo Lab recording lathes record lathes cutting lathes
              Myles B. Astor, PhD, Administrator
              Senior Editor, Positive-Feedback.com
              ________________________________________

              -Zellaton Plural Evo speakers
              -Goldmund Telos 440 mono amps
              -Goldmund Mimesis 37S Nextgen preamplifier
              -Doshi EVO and Goldmund PH3.8 phonostage
              -VPI Vanquish direct-drive turntable
              -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
              -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
              -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
              -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
              -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

              Comment


              • #8
                Originally posted by ack View Post
                I think the question as always is **QUALITY**.

                Full international list of vinyl record pressing manufacturing companies: vinyl record pressing plants, lathe cut, lacquer mastering etc.
                Myles B. Astor, PhD, Administrator
                Senior Editor, Positive-Feedback.com
                ________________________________________

                -Zellaton Plural Evo speakers
                -Goldmund Telos 440 mono amps
                -Goldmund Mimesis 37S Nextgen preamplifier
                -Doshi EVO and Goldmund PH3.8 phonostage
                -VPI Vanquish direct-drive turntable
                -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
                -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
                -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
                -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
                -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

                Comment


                • #9
                  Great link!
                  Analog: VPI Aries 3, custom suspension & platter interface || Magnetically stabilized JMW 10.5i || Ortofon A90, Verismo || Modded & fully shielded Pass XP-25 || VPI SDS speed controller || Magnum Dynalab MD-90SE/105 Digital: Spectral 4000SV Amplification: Spectral DMC-30SV || DMA-500AR Speakers: Custom MartinLogan Cabling: Shielded MIT Oracle 50ic,MA-X,90.1,Shunyata Alpha v2 Other: Shunyata Everest & Sigma/Delta cords; Isodamp, mumetal, 3M AB5100, Dynamat, Copper foil; Vishay diodes, resistors; Mundorf coils & capacitors

                  Main System Link
                  Second System Link

                  Comment

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