Traded my Kipod II signatures and some $$$ with a friend for his Anat III signatures, which have the new YG binding post upgrade. Next stop, decide what I'm going to do about higher powered amps, and then add the passive crossovers to bass module. Excited! They arrive Friday evening,
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Yg Anat III signatures on the way :)
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Yg Anat III signatures on the way :)
SOURCE: VINYL - EAT C-Sharp with, EAT LPS power supply, My Sonic Lab Signature Gold
DIGITAL - Mola Mola Tambaqui DAC. Roon Nucleus w/EAT Lps power supply. Auralic Aires G1
PHONOSTAGE: AudioNet PAM G2 with AudioNet EPX power supply.
PREAMP: Audionet PRE G2.
AMPLIFIER: Audionet MAX monoblocks.
SPEAKERS: YG Acoustics Anat III Signatures (upgraded to Sonja 1.2) JL Audio F112 V2 (x2)
CABLES: Kubala-Sosna, Kubala Sosna Xpander.....Audio Desk Systeme RCM, Adona Rack, GIK & Acoustimac room treatment, Isoacoustics -
Hello, Tom,
How large is your listening room? I have only heard the large YG's at audio shows, in mid-size rooms...some material causing an overwhelmed bottom end. Of course, this is in show conditions. Congratulations and best success.Avalon Time, Walker Proscenium, Koetsu Coralstone, Air Tight PC-1 Supreme, Goldfinger Statement, Dalby record weight, Kondo KSL-SFz step-up, Jadis JP80-MC...heavily modified, Convergent Audio JL-2 Black Path, Sony NS999 ES Modwright modded, full loom High Fidelity Ultimate cables, Rel S-5 sub, Stillpoints ultra and 5's, Shun Mook, Dalby footers, Critical Mass bases, Acoustic System Resonators, Magnum Dynalab Etude, Telefunkens throughout, assorted fuses, Furutech outlets, PurePower conditioner.
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Congrats the new YGs are really sounding great!
What amps are on your wish list?Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Hi Tom!
Congrats!
As far as amp choices go, D'Agostino amps are a safe bet. Another one that performed beautifully was ASR Emitter II, as well as the Audia Flight Strumento that our friend Myles reviewed! They were all able to handle the Anat's tough load.
cheers,
alex
Disclosure:Alma Music and Audio - La Jolla, CAAqua Hi-Fi - Audio Research - Audioquest - Audionet - Audiopax - Auralic - Aurender - Bergmann - Brodmann - D'Agostino - darTZeel - Devialet - DEQX - ELAC - Evolution Acoustics - Hegel - iFi - Innuos - IsoTek - Kii Audio - Koetsu - Kronos - Kubala Sosna - Kuzma - Larsen - Linn - MSB Technology - Music Hall - Ortofon - Solid Steel - Technics - Wharfedale - Wilson Audio - YG Acoustics
[ http://almaaudio.com ]
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Originally posted by siddh View PostHello, Tom,
How large is your listening room? I have only heard the large YG's at audio shows, in mid-size rooms...some material causing an overwhelmed bottom end. Of course, this is in show conditions. Congratulations and best success.SOURCE: VINYL - EAT C-Sharp with, EAT LPS power supply, My Sonic Lab Signature Gold
DIGITAL - Mola Mola Tambaqui DAC. Roon Nucleus w/EAT Lps power supply. Auralic Aires G1
PHONOSTAGE: AudioNet PAM G2 with AudioNet EPX power supply.
PREAMP: Audionet PRE G2.
AMPLIFIER: Audionet MAX monoblocks.
SPEAKERS: YG Acoustics Anat III Signatures (upgraded to Sonja 1.2) JL Audio F112 V2 (x2)
CABLES: Kubala-Sosna, Kubala Sosna Xpander.....Audio Desk Systeme RCM, Adona Rack, GIK & Acoustimac room treatment, Isoacoustics
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Originally posted by MylesBAstor View PostCongrats the new YGs are really sounding great!
What amps are on your wish list?
But in the end probably the new D'agostino classic stereo or BAT VK-655se, however if I'm a little sneaky a stereo Tenor would be my dream amp.
Not having to drive the bass section opens up my choices. pretty flat 3-4 ohm load and 88db is not that bad. These are our third pr. of YGs and going on 6 years with them, I'm happy, my wife is really happy, she bought our first YGs (Carmels) at first Axpona in ATL. She was the one wanting the Kipods after hearing them at RMAF a couple years after that.SOURCE: VINYL - EAT C-Sharp with, EAT LPS power supply, My Sonic Lab Signature Gold
DIGITAL - Mola Mola Tambaqui DAC. Roon Nucleus w/EAT Lps power supply. Auralic Aires G1
PHONOSTAGE: AudioNet PAM G2 with AudioNet EPX power supply.
PREAMP: Audionet PRE G2.
AMPLIFIER: Audionet MAX monoblocks.
SPEAKERS: YG Acoustics Anat III Signatures (upgraded to Sonja 1.2) JL Audio F112 V2 (x2)
CABLES: Kubala-Sosna, Kubala Sosna Xpander.....Audio Desk Systeme RCM, Adona Rack, GIK & Acoustimac room treatment, Isoacoustics
- Likes 2
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Originally posted by c1ferrari View PostHi Tom,
Tenors would sound nice with the YG's.Transformers never even got above warm. Still need to spike the speakers, but I'm happy where we ended up with them in the room. Getting them down a 180' walkway (in the dark) of steps was less than fun. Big, Big, thanks to Mike and Becky Burns of Wolfsong Audio in Atlanta for delivering and helping set them up. Off to do the tourist thing in DC for the next few days with them. Have a great weekend people!
One other nice little bonus was they came with a 30' pair of Kubala Anticipation XLR cables to run to the sub sections.Last edited by tom_hankins; 06-11-2016, 07:44 AM.SOURCE: VINYL - EAT C-Sharp with, EAT LPS power supply, My Sonic Lab Signature Gold
DIGITAL - Mola Mola Tambaqui DAC. Roon Nucleus w/EAT Lps power supply. Auralic Aires G1
PHONOSTAGE: AudioNet PAM G2 with AudioNet EPX power supply.
PREAMP: Audionet PRE G2.
AMPLIFIER: Audionet MAX monoblocks.
SPEAKERS: YG Acoustics Anat III Signatures (upgraded to Sonja 1.2) JL Audio F112 V2 (x2)
CABLES: Kubala-Sosna, Kubala Sosna Xpander.....Audio Desk Systeme RCM, Adona Rack, GIK & Acoustimac room treatment, Isoacoustics
- Likes 2
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Originally posted by c1ferrari View PostHi Tom,
Tenors would sound nice with the YG's.
They sounded great in system using Wilson XLFs in December. My only thought is that the Tenors may be a little dark and rolled off in the upper octaves. Something that's been a characteristic since the very beginning.
Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Originally posted by MylesBAstor View Post
What speakers wouldn't the Tenors sound good with?
They sounded great in system using Wilson XLFs in December. My only thought is that the Tenors may be a little dark and rolled off in the upper octaves. Something that's been a characteristic since the very beginning.
I wish I would have never sold my REX pre/Rex mono setup. The only reason I don't purchase it again.......I'd have to go back to work, and that ain't happening!SOURCE: VINYL - EAT C-Sharp with, EAT LPS power supply, My Sonic Lab Signature Gold
DIGITAL - Mola Mola Tambaqui DAC. Roon Nucleus w/EAT Lps power supply. Auralic Aires G1
PHONOSTAGE: AudioNet PAM G2 with AudioNet EPX power supply.
PREAMP: Audionet PRE G2.
AMPLIFIER: Audionet MAX monoblocks.
SPEAKERS: YG Acoustics Anat III Signatures (upgraded to Sonja 1.2) JL Audio F112 V2 (x2)
CABLES: Kubala-Sosna, Kubala Sosna Xpander.....Audio Desk Systeme RCM, Adona Rack, GIK & Acoustimac room treatment, Isoacoustics
- Likes 1
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Originally posted by MylesBAstor View Post
What speakers wouldn't the Tenors sound good with?
They sounded great in system using Wilson XLFs in December. My only thought is that the Tenors may be a little dark and rolled off in the upper octaves. Something that's been a characteristic since the very beginning.Kronos Sparta -> Trinity Phono -> Trinity Pre -> CH Precision A1 -> Magico S7s
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Originally posted by allenh View Post
I heard them at Taves, fantastic sound, great midrange. It's too bad they don't have a stronger presence here in the states.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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