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Guess I thought the interesting part was how many concerts Jared went to. He's seen a lot of great groups over the years.
Some groups like the Dead encouraged their fans to tape their concerts and they also traded tapes.
Funny that taping concerts seem to be a rock thing. Never hear anyone doing that for classical; would imagine maybe some have for jazz but not well known, at least to me.Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
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-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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Taping in jazz occurred as early as March of 1947 when Dean Benedetti began recording Charlie Parker's live performances on a disc recorder. Being specifically interested in Parker's playing--and to save disc space--he recorded only Parker's solos. The results are available on a Mosaic cd box set.Analog: Holbo Turntable, VdH Crimson Strad XGW; Forsell Air Reference, Transfiguration Proteus; Rega RP-8, VAS Nova Mono
Digital: Mac mini 6,2 with YFS PS-12M LPS; Exogal Comet Plus, Exogal Ion PowerDAC
Electronics: Aurorasound Vida, Channel D Lino C; Merrill Cara, Gryphon M-100 Mkii (pair)
Cables: Morrow, Gryphon interconnects; YFS USB cable; Morrow, XLO, Channel D phono cables; Morrow, Gryphon, Goertz speaker cables
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Originally posted by jonathanb View PostTaping in jazz occurred as early as March of 1947 when Dean Benedetti began recording Charlie Parker's live performances on a disc recorder. Being specifically interested in Parker's playing--and to save disc space--he recorded only Parker's solos. The results are available on a Mosaic cd box set.
Myles B. Astor, PhD, Administrator
Senior Editor, Positive-Feedback.com
________________________________________
-Zellaton Plural Evo speakers
-Goldmund Telos 440 and 1000 Nextgen mono amps
-Goldmund Mimesis 37S Nextgen preamplifier
-Doshi EVO and Goldmund PH3.8 phonostage
-VPI Vanquish direct-drive turntable
-VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
-Lyra Atlas SL Lambda, vdh Colibri Master Signature, Mutech Hayabusa,
-Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
-Assorted cables including Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
-Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.
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