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What's One Thing You Would Like to Change About the Sound of Your System?

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  • What's One Thing You Would Like to Change About the Sound of Your System?

    For me it's soundstaging. It's not that I don't get good soundstaging here. The imaging is certainly wall-to-wall with relatively good depth and height (I quibble on height because I know the new Magicos Mk. 2 speakers are superior in that regard). But the soundstage is limited to a certain extent by the size of my room. So my system is perhaps slanted a little to more intimate, smaller scale recordings than big orchestral blockbusters. Now don't get me wrong. Orchestral sounds great but jazz ensembles, small scale classical just sound special. And I've heard a few systems in larger rooms that allows the music to "breath" more. I don't want, though, the additional space to come at the cost of sacrificing imaging specificity.
    Myles B. Astor, PhD, Administrator
    Senior Editor, Positive-Feedback.com
    ________________________________________

    -Magico S5 Mk.2 speakers with SPod feet
    -Goldmund Telos 280 stereo amp
    -Goldmund Mimesis 37S Nextgen preamplifier
    -Doshi V3.0 phonostage
    -VPI Vanquish direct-drive turntable
    -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
    -Lyra Atlas SL Lambda, Fuuga, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
    -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
    -Assorted cables including Transparent XL Gen. 5, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
    -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA platforms.

  • #2
    More punch and pop in the system. Later this year I plan to try a more powerful amp, a dedicated phono stage, and a different more efficient pair of speakers. All separately auditioned of course. Speaker possibilities are the gen Magico 1s and 3s, Proacs, and Gamuts.
    TW Acustic TT with Ref motor & controller; Tri-Planar Arm; Ortofon Windfeld-Ti Cartridge, Harmonix-Combak platter matte & weight; Arcam R Phono Preamp; KLAudio Ultrasonic Record Cleaner.

    Bluesound Vault-2 Music Server & Streamer

    VTL 6.5 preamp Series II
    Pass Labs 150.8 Amp

    Piega C711 Loudspeakers

    Symposium Osiris Rack; Symposium Platforms and Roller Blocks plus grade 2.5 Balls

    Acoustic Revive RR-888 Low Frequency Pulse Generator

    Shunyata Hydra 8; Shunyata AC Cords; Synergistic Research Level 3 HC AC Cord and Level 3 power cord, Synergistic Carbon fiber wall plates & Blue Outlets, Furutech NCF Booster Brace, Audio Art Ref balanced ICs, MIT Oracle IC and Magnum Speaker Cables

    Sennheiser HDV 650 Headphone Amp; Sennheiser HD1200s Headphones.

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    • #3
      A bigger room with higher ceilings.
      Christian
      System Gear

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      • #4
        Originally posted by rockitman View Post
        A bigger room with higher ceilings.

        I would like the same, I could use another few feet for my Maggie 1.7's to really breath

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        • #5
          the price

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          • allenh
            allenh commented
            Editing a comment
            LOL, agree! :-)

          • MylesBAstor
            MylesBAstor commented
            Editing a comment
            I promise not to tell Alison!

        • #6
          I'd like to get rid of some midrange glare that flares up from time to time. Very track dependent, but annoying when it's heard.
          Kronos Sparta -> Trinity Phono -> Trinity Pre -> CH Precision A1 -> Magico S7s

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          • #7
            Nothing.

            ‚ÄčNo wait, a loudness compensation control, switchable of course. The Fletcher Munson curves are a long established fact. I'd like bass to be present at low listening levels. At low levels what a control/preamplifier reproduces may be accurate but what you hear is not due to non linear hearing over varied volume levels. So is a minimalist design really more accurate if what you hear isn't?

            I'll go further and state that a control/preamplifier design that lacks a balance control, tone controls and loudness compensation are deficient designs lacking utility.
            Last edited by Rust; 04-01-2016, 02:25 PM. Reason: Have to stir the pot up

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            • #8
              When I open my eyes, the musicians aren't really there.

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              • #9
                Originally posted by tima View Post
                When I open my eyes, the musicians aren't really there.
                That's not always a bad thing you know


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                • #10
                  Originally posted by JackD201 View Post

                  That's not always a bad thing you know

                  Yeah, if you don't watch 'em, they'll fart and eat your food.

                  But methinks we have different tastes in music. la dee do da


                  Renee Fleming


                  Yuja Wang

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                  • Rust
                    Rust commented
                    Editing a comment
                    The little black dress and stripper pumps. Makes you wonder if the walk across the stage is the best part of the performance. All the guys in the picture appear as if they think so.

                  • Johnny Vinyl
                    Johnny Vinyl commented
                    Editing a comment
                    Given the current crop of Pop Divas I'd say she looks rather tame....but I'll bet she's more talented.

                  • Guest's Avatar
                    Guest commented
                    Editing a comment
                    Well, she's not Arthur Rubenstein but, still, her Rachmaninov is popular.

                • #11
                  After reconsideration, a loudness compensation control.

                  ‚ÄčThe Fletcher Munson curves are a long established fact. I'd like a better representation of bass at lower listening levels and tone controls by themselves do not accurately reflect the Fletcher Munson curves. While what a control/pre amplifier reproduces at low volume levels may be more accurate from an electronic signal standpoint, what is heard is not. Which is one reason (of many) why the music seems to become more alive once appropriate volume levels are reached for a given recording.

                  A loudness compensation control. IMO a design lacking that is lacking in utility and is therefore a deficient design.

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