Hello fellow Audio Nirvana seekers.
The basics according to feeble arrogant me:
Dual Differential (Balanced) amplification devices are fundamentally purer than unbalanced devices. They preserve the entire waveform. No part of the waveform is referenced to ground (thrown away?). Cartridges are true balanced sources. I propose we would prefer a 'balanced' waveform arriving at our ears?.
Parallel crossovers are typically unbalanced. Gauder Akustik has solved this problem with their symmetrical crossover. They call it 'symetized'?. From what I've read, their speakers are fabulous.
Jeff Bagby has built a 'Quasi-Second Order Series 2-Way Crossover' (Balanced). Those that have heard it, call it the best.
I too have developed a symmetrical crossover. It starts as an LCLCLC shunt circuit, and then I balance it.
I hope Jonathan doesn't mind: From what I've deduced from reading, Evolution Acoustics is also moving away from parallel crossovers, and implementing shunt circuits. Though not yet balanced, those that have heard the MM3 Exact, call it the best.
I will be at TAVES. I am in room #7216 (Best Western Hotel section). I hope at least one of you will attend.
I am taking my entry level TARIM 4-way speaker ($11,200.00 CDN, ~$8,600.00 US).
This is my thinking: if my crossover is half as good as I am bellowing, then the clarity and dynamics of my speakers should easily best any speaker at the show. How's that for arrogance?.
One of two conclusions will be drawn:
a) I'm just another delusional speaker designer
b) I've done it, I've cracked the code.
Please note: the circuit is meant to be driven by Dual Differential Amplification only. When driven by unbalanced amplifiers, they're no different than what you now own.
Bill Laleff
Euphoria Speaker Design
The basics according to feeble arrogant me:
Dual Differential (Balanced) amplification devices are fundamentally purer than unbalanced devices. They preserve the entire waveform. No part of the waveform is referenced to ground (thrown away?). Cartridges are true balanced sources. I propose we would prefer a 'balanced' waveform arriving at our ears?.
Parallel crossovers are typically unbalanced. Gauder Akustik has solved this problem with their symmetrical crossover. They call it 'symetized'?. From what I've read, their speakers are fabulous.
Jeff Bagby has built a 'Quasi-Second Order Series 2-Way Crossover' (Balanced). Those that have heard it, call it the best.
I too have developed a symmetrical crossover. It starts as an LCLCLC shunt circuit, and then I balance it.
I hope Jonathan doesn't mind: From what I've deduced from reading, Evolution Acoustics is also moving away from parallel crossovers, and implementing shunt circuits. Though not yet balanced, those that have heard the MM3 Exact, call it the best.
I will be at TAVES. I am in room #7216 (Best Western Hotel section). I hope at least one of you will attend.
I am taking my entry level TARIM 4-way speaker ($11,200.00 CDN, ~$8,600.00 US).
This is my thinking: if my crossover is half as good as I am bellowing, then the clarity and dynamics of my speakers should easily best any speaker at the show. How's that for arrogance?.
One of two conclusions will be drawn:
a) I'm just another delusional speaker designer
b) I've done it, I've cracked the code.
Please note: the circuit is meant to be driven by Dual Differential Amplification only. When driven by unbalanced amplifiers, they're no different than what you now own.
Bill Laleff
Euphoria Speaker Design
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