Announcement

Collapse
No announcement yet.

Magico S5 Mk. 2 Review in PF

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Magico S5 Mk. 2 Review in PF

    Myles B. Astor, PhD, Administrator
    Senior Editor, Positive-Feedback.com
    ________________________________________

    -Zellaton Plural Evo speakers
    -Goldmund Telos 440 mono amps
    -Goldmund Mimesis 37S Nextgen preamplifier
    -Doshi EVO and Goldmund PH3.8 phonostage
    -VPI Vanquish direct-drive turntable
    -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
    -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
    -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
    -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
    -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

  • #2
    Just finished reading the review Myles. Good job in describing the many positive attributes of the S5 MK 2. After reading the review, there is no doubt in my mind of what you think of these speakers from top to bottom.
    Micro Seiki SX-8000 table with flywheel, SME 3012R arm, SME 312S arm, Lyra Etna SL and Dynavector XV-1S cartridges, ARC Ref 3 phono stage, Otari MX-55 tape deck, Ampex 350 repros, Roon Nucleus Plus server, PS Audio DSJ DAC, ARC Ref 6 pre, ARC Ref 75 amp, Parasound JC5 amp, JBL 4345 speakers, and Def Tech Ref subs.

    Comment


    • #3
      Myles,

      I enjoyed reading the review. Having been to visit in the not too distant past when you had the S5 Mk 1 puts the review into perspective.

      Regarding bass, how would you characterize the two speakers (Mk1 and Mk2) low frequency in terms of extension, dynamic contrasts, and subjective performance?


      **************************************************
      Every day is a good day to play analog.
      - 12" 33-1/3 RPM or 45 RPM vinyl
      - 10.5" 15ips or 30ips tape
      **************************************************
      Every day is a good day for live music.
      **************************************************
      Every day is a good day to listen to music.
      **************************************************
      Industry Affiliation:
      Senior Writer, The Absolute Sound
      **************************************************

      Comment


      • #4
        Originally posted by Dre_J View Post
        Myles,

        I enjoyed reading the review. Having been to visit in the not too distant past when you had the S5 Mk 1 puts the review into perspective.

        Regarding bass, how would you characterize the two speakers (Mk1 and Mk2) low frequency in terms of extension, dynamic contrasts, and subjective performance?

        While still retaining the familial signature, there's really no comparison between the Mk. 2 and 1. Alon could have (and maybe should have) given the speaker a totally new name and no one would have blinked. To start with, you are talking about two completely different bass drivers. The new bass drivers have double the excursion distance (and the differences in machining that entails). Then there's improvements to the crossover and the stability of the speaker too. And the drivers are a bit lighter. In the end, the Mk. 2 does seem to go deeper, is much cleaner and detailed, focussed and dynamic. It's as if the bass is just pulled slightly out and more distinct through the Mk. 2. The Mk. 1's bass just sounds slightly blurred compared to the Mk. 2. I think because of the crossover changes etc., the cjs like driving the low end a lot more too. The new Mk. 2 are much more a 4 ohm load than before. Doesn't mean the bass couldn't be better with a ss amplifier but I still haven't heard one that will give me the mid and upper bass of the cjs. Low bass another story.
        Myles B. Astor, PhD, Administrator
        Senior Editor, Positive-Feedback.com
        ________________________________________

        -Zellaton Plural Evo speakers
        -Goldmund Telos 440 mono amps
        -Goldmund Mimesis 37S Nextgen preamplifier
        -Doshi EVO and Goldmund PH3.8 phonostage
        -VPI Vanquish direct-drive turntable
        -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
        -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
        -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
        -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
        -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

        Comment


        • #5
          Originally posted by MylesBAstor View Post

          While still retaining the familial signature, there's really no comparison between the Mk. 2 and 1. Alon could have (and maybe should have) given the speaker a totally new name and no one would have blinked. To start with, you are talking about two completely different bass drivers. The new bass drivers have double the excursion distance (and the differences in machining that entails). Then there's improvements to the crossover and the stability of the speaker too. And the drivers are a bit lighter. In the end, the Mk. 2 does seem to go deeper, is much cleaner and detailed, focussed and dynamic. It's as if the bass is just pulled slightly out and more distinct through the Mk. 2. The Mk. 1's bass just sounds slightly blurred compared to the Mk. 2. I think because of the crossover changes etc., the cjs like driving the low end a lot more too. The new Mk. 2 are much more a 4 ohm load than before. Doesn't mean the bass couldn't be better with a ss amplifier but I still haven't heard one that will give me the mid and upper bass of the cjs. Low bass another story.
          Thanks for the follow-up, Myles
          **************************************************
          Every day is a good day to play analog.
          - 12" 33-1/3 RPM or 45 RPM vinyl
          - 10.5" 15ips or 30ips tape
          **************************************************
          Every day is a good day for live music.
          **************************************************
          Every day is a good day to listen to music.
          **************************************************
          Industry Affiliation:
          Senior Writer, The Absolute Sound
          **************************************************

          Comment


          • #6
            Great review Myles.

            In my system, I've heard the greatest improvement (vs my old S5 mk1) in soundstage depth, midrange resolution and microdynamics, and HF extension.

            Comment


            • #7
              Originally posted by Elberoth View Post
              Great review Myles.

              In my system, I've heard the greatest improvement (vs my old S5 mk1) in soundstage depth, midrange resolution and microdynamics, and HF extension.
              Funnily, the new tape stage makes the S5 Mk. 2 sound even better. The upper octaves are oh so delicate, defined and extended.
              Myles B. Astor, PhD, Administrator
              Senior Editor, Positive-Feedback.com
              ________________________________________

              -Zellaton Plural Evo speakers
              -Goldmund Telos 440 mono amps
              -Goldmund Mimesis 37S Nextgen preamplifier
              -Doshi EVO and Goldmund PH3.8 phonostage
              -VPI Vanquish direct-drive turntable
              -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
              -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
              -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
              -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
              -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

              Comment


              • #8
                The S5 mk 2 sounds absolutely amazing. I think that in terms of overall balance, coherence, soundstaging AND value for money - it may be the best of all Magico designs.

                Comment


                • #9
                  Like all top speakers, the S5 Mk. 2 ruthlessly reveals everything in front of it. But--the better the supporting cast--the better the speakers sound. In fact, the new analog tape front-end shows the speaker's top end is even better than reported. Super extended, detailed without hardness and ever ever so delicate.

                  That brings us back to this thread.

                  https://www.audionirvana.org/forum/t...ken-or-the-egg
                  Myles B. Astor, PhD, Administrator
                  Senior Editor, Positive-Feedback.com
                  ________________________________________

                  -Zellaton Plural Evo speakers
                  -Goldmund Telos 440 mono amps
                  -Goldmund Mimesis 37S Nextgen preamplifier
                  -Doshi EVO and Goldmund PH3.8 phonostage
                  -VPI Vanquish direct-drive turntable
                  -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
                  -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, Phasemation PP-500 cartridges
                  -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
                  -Assorted cables including Transparent XL Gen. 6, Skogrand, Kubala-Sosna, Audience FrontRow; Audience FrontRow, Genesis Advanced Technologies , Goldmund and Ensemble Power Cords
                  -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.3+ platforms.

                  Comment

                  Working...
                  X