Announcement

Collapse
No announcement yet.

Delving Into What Controls the Emotional Connection to the Music

Collapse
X
 
  • Filter
  • Time
  • Show
Clear All
new posts

  • Delving Into What Controls the Emotional Connection to the Music

    hall emotion.pdf

    Myles B. Astor, PhD, Administrator
    Senior Editor, Positive-Feedback.com
    ________________________________________

    -Zellaton Plural Evo speakers
    -Goldmund Telos 300 stereo amp
    -Goldmund Mimesis 37S Nextgen preamplifier
    -Doshi EVO and Goldmund PH3.8 phonostage
    -VPI Vanquish direct-drive turntable
    -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
    -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
    -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
    -Assorted cables including Transparent XL Gen. 6, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
    -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.1+ platforms.

  • #2
    Myles B. Astor, PhD, Administrator
    Senior Editor, Positive-Feedback.com
    ________________________________________

    -Zellaton Plural Evo speakers
    -Goldmund Telos 300 stereo amp
    -Goldmund Mimesis 37S Nextgen preamplifier
    -Doshi EVO and Goldmund PH3.8 phonostage
    -VPI Vanquish direct-drive turntable
    -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
    -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
    -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
    -Assorted cables including Transparent XL Gen. 6, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
    -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.1+ platforms.

    Comment


    • #3
      Basically what the better engineers/producers have known since forever, a little reverb (call it a wet sound) is perceived as better than no reverb (a dry sound). I have a recording of Peggy Lee singing fever with absolutely no reverb and the same song with a bit of reverb added to the vocals. The version with reverb, to me, sounds much better.

      ​The design and use of reverberant space considerably predates any concert hall or organized orchestra, simply look at any of the cathedrals in the world. And acoustic design, look at any ancient amphitheater. Basically the studies attempt to quantify what has been known for millennia. Which is a good thing if it prevents construction of lousy halls.

      Comment


      • #4
        Originally posted by Rust View Post
        Basically what the better engineers/producers have known since forever, a little reverb (call it a wet sound) is perceived as better than no reverb (a dry sound). I have a recording of Peggy Lee singing fever with absolutely no reverb and the same song with a bit of reverb added to the vocals. The version with reverb, to me, sounds much better.

        ​The design and use of reverberant space considerably predates any concert hall or organized orchestra, simply look at any of the cathedrals in the world. And acoustic design, look at any ancient amphitheater. Basically the studies attempt to quantify what has been known for millennia. Which is a good thing if it prevents construction of lousy halls.
        Of course the issue with reverberant places is not having the reflected sound drowning out the direct sound. Not necessarily an easy task.

        Talked about that years ago in an interview with Tony Faulkner in Ultimate Audio magazine.
        Myles B. Astor, PhD, Administrator
        Senior Editor, Positive-Feedback.com
        ________________________________________

        -Zellaton Plural Evo speakers
        -Goldmund Telos 300 stereo amp
        -Goldmund Mimesis 37S Nextgen preamplifier
        -Doshi EVO and Goldmund PH3.8 phonostage
        -VPI Vanquish direct-drive turntable
        -VPI 12-inch 3D Fat Boy dual pivot tonearm, VPI 12-inch 3D Fat Boy gimballed and SAT LM-12 arm
        -Lyra Atlas SL Lambda, Fuuga Mk. 2, vdh Colibri Master Signature, MutechHayabusa, MOFI Master Tracker, Sumiko Songbird cartridges
        -Technics RS1506 with Flux Magnetic heads, Doshi V3.0 tape stage (balanced)
        -Assorted cables including Transparent XL Gen. 6, Skogrand, Viero, Kubala-Sosna, Audience Au24SX, Genesis Advanced Technologies and Ensemble Power Cords
        -Accessories including Stillpoint Aperture panels, Cathedral Sound panels, Furutech NCF Nano AC receptacles; Silver Circle Tchaik 6 PLC, Symposium ISIS and SRA Craz 3 racks, Audiodharma Cable Cooker, Symposium Ultra and assorted SRA OHIO Class 2.1+ platforms.

        Comment

        Working...
        X